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Don't Believe It - Charlie Donlea

Brand: Kensington   |   Status: Còn hàng
450.000₫

"I absolutely LOVED this book! I devoured it in a single day! I find Charlie Donlea’s writing to be some of the best in the thriller/crime genre- it’s not just domestic thrillers but ones that get into the nitty gritty of forensic’s and detective work which is something I’ve had trouble finding before this author but he still blends that classic thriller/suspense you would see with other authors. It’s an intellectual read that is still entertaining even for people who don’t have a lot of interest in forensic science. I HIGHLY RECOMMEND this book!" - Amazon Customer Reviews

From the acclaimed author of Twenty Years Later comes a twisting, impossible-to-put-down novel of suspense in which a filmmaker helps clear a woman convicted of murder—only to find she may be a puppet in a sinister game. Fans of Freida McFadden and Alice Feeney will be left breathless by this unforgettable thriller that builds to a shocking conclusion...

The Girl of Sugar Beach is the most watched documentary in television history—a riveting, true-life mystery that unfolds over twelve weeks and centers on a fascinating question: Did Grace Sebold murder her boyfriend, Julian, while on a Spring Break vacation, or is she a victim of circumstance and poor police work? Grace has spent the last ten years in a St. Lucian prison, and reaches out to filmmaker Sidney Ryan in a last, desperate attempt to prove her innocence.

As Sidney begins researching, she uncovers startling evidence overlooked during the original investigation. Before the series even finishes filming, public outcry leads officials to reopen the case.

Delving into Grace’s past, Sidney peels away layer after layer of deception. But as she edges closer to the real heart of the story, Sidney must decide if finding the truth is worth risking her newfound fame, her career . . . even her life.

“You can’t blame Charlie Donlea if the ending of his novel makes your jaw drop. The title alone is fair warning that his characters are no more to be trusted than our initial impressions of them.”
—The New York Times Book Review