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El Salvador, 1982. The country is at the height of a terrible civil war. Joan Didion travels from battlefields to body dumps, interviews a puppet president and considers the distinctly Salvadorean meaning of the verb 'to disappear'. She trains a merciless eye not only on the terror there but also on the depredations and evasions of US foreign policy.
Salvador is a restless and unflinching masterclass in the art of reportage by one of the great literary stylists of the twentieth century.